Bani Abidi
...so he starts singing, 2000
Video, color, sound, 3:30 min, loop
Courtesy Bani Abidi & Green Cardamon
Bani Abidi
Security Barriers A–L, 2008
12 inkjet prints, 28 × 44 cm each, framed
Courtesy Bani Abidi & Green Cardamon
AES Group
Oasis, 2000
Mixed-media installation, dimensions variable
Courtesy of AES Group, Triumph Gallery, and MAMM, Moscow
Halim Al-Karim
Hidden Prisoner, 1993
Lambda print, 158 × 369 cm (triptych)
Courtesy AB Gallery
Halil Altindere
My Mother Likes Pop Art Because Pop Art is Colorful, 1998
C-print on aluminum Dibond, 100 × 150 cm
Courtesy Halil Altindere
Francis Alÿs
Turista, Catedral Metropolitana, 1994
Color photograph, 29,8 × 23,6 cm, framed
Courtesy of the artist and Galerie Peter Kilchmann, Zurich
Rasheed Araeen
Golden Calf, 1987
Mixed media, 9 panels, 152 × 179 cm
Courtesy of the artist
Rasheed Araeen
The Reading Room, 1979–2011, 2011
Mixed-media installation (table of 36 wooden cubes from the installation Vienna Thirty-Six – Zero to Infinity, 50 × 50 × 50 cm and acrylic glass, 1 set of 110 issues of the journal Third Text, computer, monitor, wall text), dimensions variable
Courtesy of the artist
Kader Attia
Untitled (Plastic Bags), 2008–2011
Sculpture, empty plastic bags, dimensions variable
Courtesy of the artist, Galerie Krinzinger, and Galerie Christian Nagel
Yto Barrada
Tectonic, 2004/2010
Wooden model with moveable continents, 122 × 200 cm
Courtesy of Galerie Sfeir-Semler, Hamburg/Beirut
Yto Barrada
Bus, Tanger, 2004
4 C-prints, framed, 88 × 88 cm each
Courtesy of Galerie Sfeir-Semler, Hamburg/Beirut and Collection Kadist Art Foundation
Richard Bell
Scientia E Metaphysica (Bell’s Theorem), 2003
Synthetic polymer paint on canvas, 240 × 360 cm (6 panels, 240 × 60 cm each)
Courtesy of Museum and Art Gallery of the Northern Territory
Guy Ben-Ner
Drop the Monkey, 2009
Video with German subtitles, color, sound, 8:30 min
Courtesy of Konrad Fischer Galerie
Tamy Ben-Tor
The End of Art, 2006
Video, color, sound, 7 min
Courtesy of the artist and Zach Feuer Gallery, New York
Tamy Ben-Tor
Artist in Residence, 2005
Video, color, sound, 3:55 min
Courtesy of the artist and Zach Feuer Gallery, New York
Tamy Ben-Tor
Normal, 2006
Video, color, sound, 4:20 min
Courtesy of the artist and Zach Feuer Gallery, New York
Michael Bielicky & Kamila B. Richter
The Garden of Error and Decay, 2010/2011
Web-based installation, computer graphic
Sound: Lorenz Schwarz
Courtesy of the artists
Ursula Biemann
X-Mission, 2008
Video essay, color, sound, 40 min
Courtesy of the artist
Zander Blom
The Drain of Progress, 2007
Photo series (selection), ultrachrome ink on cotton, 45 × 60 cm (framed)
Courtesy of the artist & Stevenson, Cape Town/Johannesburg
Individual titles of the selected photographs:
9 Untitled or Like, Man. He was GOD to us, Bedroom 1, Corner 3, Time unknown, Sunday, 11 June 2006
10 Untitled, Lounge, Wall 4, 5.19 a.m., Saturday, 29 April 2006
18 Untitled or Study for a Nude, Bedroom 1, Corner 3, 6.20 p.m., Thursday, 17 August 2006
14 Untitled, Bedroom 1, Corner 3, 6.44 p.m., Wednesday, 9 August 2006
73 Untitled or Composition with Line, Corridor, Corner 2 and Ceiling, 4.28 p.m., Wednesday, 30 May 2007
67 Untitled, Bedroom 2, Wall 1, 11.50 a.m., Friday, 25 May 2007
21 Untitled of The Wreck of Hope, Bedroom 1, Wall 3, 10.50 a.m.,Wednesday, 30 August 2006
35 Untitled, Bedroom 1, Corner 3, 4.38 p.m., Monday, 27 November 2006
38 Untitled or Unique Forms of Continuity in Space, Bedroom 1, Corner 2, 12.23 a.m., Sunday, 31 December 2006
64 Untitled, Bathroom, 2.01 a.m., Wednesday, 23 May 2007
45 Untitled, Bedroom 2, Wall 1, 8.35 p.m., Friday, 19 January 2007
56 Untitled, Bedroom 1, Wall 3, 8.40 a.m., Wednesday, 9 May 2007
Santiago Borja
Diván, 2010
Digital print on cotton paper, 80 × 120 cm, framed
Courtesy of Caja Blanca
Santiago Borja
Freud UXA-Aguila, 2010
Piezo print, carbon ink on cotton paper, 29 × 21 cm
Courtesy of Caja Blanca
Luchezar Boyadjiev
GastARTbeiter, 2000
Digital print on vinyl, 210 × 510 cm
Courtesy of the artist and Galerie FEINKOST, Berlin
Ondrej Brody & Kristofer Paetau
Wang Bin Torture in Commercial Quality, High Quality and Museum Quality, 2010
3 paintings, oil on canvas, 110 × 160 cm each
Courtesy of the artists
Erik Bünger
The Allens, 2004
Video, color, sound, 28 min
Courtesy of the artist
Roberto Cabot
Favela Chic, 2008
Photograph from the series E-Scapes, 100 × 133.3 cm, framed
Courtesy of Galerie Brigitte Schenk
Roberto Cabot
The UNO building in NY with Sugar Loaf reflected, 2008
Photograph from the series E-Scapes, 133.3 × 100 cm, framed
Courtesy of Galerie Brigitte Schenk
Chto delat?
The Tower: A Songspiel, 2010
HD video, color, sound, 36 min
Courtesy of the artists
The project has been realized by Tsaplya Vilensky, Glucklya, and the composer M. KRUTIK.
Mansour Ciss Kanakassy & Baruch Gottlieb & Christian Hanussek
Le Laboratoire de Déberlinisation, 2008–2011
Mixed-media installation (wooden exchange office, computer, 2 videos, color, sound, digital prints), dimensions variable
Courtesy of Le Laboratoire de Déberlinisation: Mansour Ciss Kanakassy, Baruch Gottlieb, Christian Hanussek
Individual titles of the digital prints:
Afro notre Monnaie, 2009, 111,5 × 89 cm
Adieu Franc CFA, 2001–2011, 162 × 115 cm
Europas Zukunft liegt in Afrika, 2009, 91,5 × 73 cm
L’Afrique des Convoitises, 2011, 91,5 × 73 cm
Disques, 2011, 2 digital prints, 30 cm2 each
Afrodisiac. Es geht um Geld, 2011, LP Cover, 32,5 × 32,5 cm
Afrodisiac, Vol. 2, 2011, LP Cover, 32,5 × 32,5 cm
Cartographie Africa, 2011, 4 digital prints, 21 × 29,7 cm each
Afro Certificat, 2011, 3 digital prints, 29,7 × 42 cm each
Charte du Mandé, 2011, 4 digital prints, 21 × 29,7 cm each
Hommage à la Négritude, 2010, 29,7 × 42 cm
Afro Organigrammes, 2011, 3 digital prints, 29,7 × 42 cm each
Courtesy Mansour Ciss Kanakassy und Baruch Gottlieb
Black Star Line, 2008, 60 × 42 cm Panafricanisme, 2011, 100 × 70 cm
Temporary Transitional Council, 2011, 100 × 70 cm
Charte de Kouroukan Fouga, 2011, 100 × 70 cm
Courtesy Christian Hanussek
Com&Com (Marcus Gossolt, Johannes M. Hedinger)
Mocmoc & Mermer, 2006–2011
Mixed media-installation (2 mascots, 15 drawings, 30 × 35 cm each (framed), 3 videos, 1 publication), dimensions variable
Courtesy of the artists
Individual titles of the videos:
Mocmoc&Mermer, Episode I: The Secret Key, video DV, color, sound, English, 31 min
Mocmoc&Mermer, Episode II: The Right Way, video DV, color, sound, English, 34 min
Mocmoc (Swiss Television, 02/10/2004), video Beta, color, sound, Swiss German/German, English subtitles, 6 min
Neil Cummings & Marysia Lewandowska
Museum Futures: Distributed, 2008
HD video, color, sound, 32 min
Courtesy of the artists
Pauline Curnier Jardin
Ami, 2009
Video installation, color, sound, 7 min
Music: Leyland James Kirby
Courtesy of the artist
Manthia Diawara
Edouard Glissant: Un Monde En Relation, 2009
Video, color, sound, 50 min
Courtesy of Manthia Diawara, Director
Nezaket Ekici
Work in progress – Personal Map, 2008 (fortlaufend)
Performance, mixed-media installation, ca. 4 × 3 m
Courtesy of the artist
Elmgreen & Dragset
Prada Marfa, 2005
C-print, 160 × 204 cm
Courtesy of private collection
Erika & Javier
El Peso de la Memoria (The Weight of Memory), 2007
Digital print on vinyl, 315 × 210 cm
Courtesy of the artists
Doug Fishbone
Elmina, 2010
Video, color, sound, 90 min
Direction: Emmanuel Apea, screenplay: Emmanuel Apea, John Apea, camera: Kofi Asante
Courtesy of the artist
Meschac Gaba
Musée de l’Art de la Vie Active, 2010/2011
Performance and mixed-media installation, 30 wigs (braided synthetic hair and wire supports), 2 videos (performances in Cotonou and Karlsruhe)
Courtesy of the artist, Laboratorio Art Contemporain, Galleria Continua
Produced with Laboratorio Art Contemporain, Galleria Continua in cooperation with ZKM | Center for Art and Media Karlsruhe.
Thierry Geoffroy/Colonel
Biennalist, 2011 (fortlaufend)
Performance and mixed-media installation, dimensions variable
Courtesy of the artist
Produced in cooperation with ZKM | Center for Art and Media Karlsruhe
Thierry Geoffroy/Colonel
Biennalist Mini Retrospective, 1989 (fortlaufend)
Mixed-media installation with video, photograph und photo prints, dimensions variable
Courtesy of the artist
Ghana ThinkTank (John Ewing, Maria del Carmen Montoya, Christopher Robbins)
Ghana ThinkTank in Karlsruhe, 2011
Mixed-media installation, dimensions variable
Courtesy of the artists
Produced in cooperation with ZKM | Center for Art and Media Karlsruhe
Matthias Gommel
Untitled (Passage), 2011
Mixed-media installation, Tensabarrier posts, printed barrier tape, sound, dimensions variable
Courtesy of the artist
Produced in cooperation with ZKM | Center for Art and Media Karlsruhe
Josh Greene mit Yangzi
Red/Greene, 2011
Mixed-media installation, dimensions variable
Courtesy of the artist
Produced in cooperation with ZKM | Center for Art and Media Karlsruhe
Anawana Haloba Hobøl
The Greater G8 Advertising Market Stand, 2007–2009
Interactive sound installation, dimensions variable
Courtesy of the artist
This project was kindly supported by the Office for Contemporary Art, Norway and The Norwegian National Art Council (Norsk Kulturråd), Rijksakademie, Amsterdam, and Notam02 Studios, Norway.
Hong Hao
Kassel City Defense Vertical View, 1997
Mixed media, silk screen, 56 × 76 cm
Courtesy of Beijing Commune
Khosrow Hassanzadeh
Terrorist Series: Nadjibeh, Azimeh, Khosrow, 2004
3 silk screens, 200 x 320 cm each
Courtesy of Collection Tropenmuseum, Amsterdam, Netherlands
Mona Hatoum
Measures of Distance, 1988
Video, color, sound, 15 min
Courtesy of Netherlands Media Art Institute, Amsterdam
Antonia Hirsch
ARTnews Top 200, 2004
23 carat gold on paper, 102 × 67 cm
Courtesy of the artist
Pieter Hugo
Nollywood, 2008
Photo series, selection of 8 C-prints, each 102 × 102 cm (110 × 110 cm framed)
Courtesy of the artist & Stevenson, Cape Town/Johannesburg
Einzeltitel:
28. Escort Kama. Enugu, Nigeria, 2008
10. Chris Nkulo and Patience Umeh. Enugu, Nigeria, 2008
43. Emeka Onu. Enugu, Nigeria, 2008
29. Obechukwu Nwoye. Enugu, Nigeria, 2008
55. Pieter Hugo. Enugu, Nigeria, 2009
39. Princess Adaobi. Enugu, Nigeria, 2008
51. Fidelis Elenwa. Enugu, Nigeria, 2009
16. Mr Enblo. Enugu, Nigeria, 2008
Ashley Hunt
A World Map: In Which We See..., 2004 (fortlaufend)
Mixed-media installation, 16 plates, ca. 60 × 100 cm each, audio, photographs
Courtesy of the artist
IRWIN und NSKSTATE.COM
NSK Folk Art, 2008 (ongoing)
Mixed-media installation, dimensions variable
Courtesy of the artists
David Jablonowski
Kelly En Perles (3D) In Coop. With Cameroonian Artist, 2011
Hermès scarf, sound system (iPod, speaker), aluminum, 64 × 68 × 3 cm
Courtesy of Lüttgenmeijer, Berlin
Melanie Jackson
From the Bank of Hell, 2008
Mixed-media installation, dimensions variable
Courtesy of the artist
Christian Jankowski
The China Painters, 2007–2008
Oil and acrylic on canvas (selection)
Courtesy of the artist, Klosterfelde, Berlin, and Lisson Gallery, London
Individual titles:
Wave, 180 × 200 cm
Burlaks on Volga, 250 × 182 cm
Bleak Dafen Future, 160 × 160 cm
Old Chair, 210 × 269 cm
The Hero, 194 × 87 cm
Photo of Family, 300 × 214 cm
Story of Dafen, 230 × 174 cm
Abstract Picture, 119 × 88 cm
Three Leaders, 264 × 228 cm
Classical Flowers, 210 × 210 cm
Christian Jankowski
Kunstmarkt TV, 2008
Video, color, sound, 45 min
Courtesy of Klosterfelde, Berlin
Anna Jermolaewa
Kremlin Doppelgänger, 2008–2009
Photo series (selection), 50 × 35 cm each, framed
Courtesy of the artist
Jin Shi
Retail Business: Karaoke No.2, 2009
Mixed-media installation, 180 × 290 × 82 cm
Courtesy of Gao Magee Gallery, Madrid
Cai Yuan and Jian Jun Xi
Two Artists Piss on Duchamp’s Urinal, 2000
Performance, Tate Modern, London, filmed by Eamon Lee
Video, color, sound, 1:35 min
Courtesy of the artists
Jompet
Cortege of the Third Realm, 2010
24 life-size figures, electronics, video- and sound installation, dimensions variable
Courtesy of Akili Museum of Art
Martin Kippenberger
Ohne Titel, 1990
10 drawings, mixed media on hotel stationary, with printer’s imprint, 37.5 × 48.5 cm each
Courtesy of Landesbank Baden-Württemberg
Agung Kurniawan
Souvenirs from the Third World, 1997–1999
5 objects of fiberglass, wood, aluminum, 70 × 35 × 35 cm each
Courtesy of the artist
Surasi Kusolwong
50% OFF BOOKS (Never Mind Kapital = Never Mind Kunst), 2011
Performance
Courtesy of the artist
Surasi Kusolwong
One Pound Turbo Market (You’ll have a good time), 2006
Video, color, sound, 15:04 min, billboard, wall color, dimensions variable
Courtesy of the artist
Moshekwa Langa
Ohne Titel, 2003
2 × ink on paper, 140 × 100 cm each, 1 × pastel crayon on paper, 122 × 86 cm
Courtesy of Galerie Mikael Andersen Berlin/Copenhagen
Ben Lewis
The Great Contemporary Art Bubble, 2009
Video, color, sound, 90 min
© BLTV (Ben Lewis Television) Ltd. MMIX
Liu Ding
Liu Ding’s Store, 2008 (ongoing)
Mixed-media installation
Liu Ding’s Store comprises 4 projects:
Take Home and Make Real the Priceless in Your Heart, 2010/2011
Mixed media (wooden shelf, 52 paintings, oil on canvas), 215 × 40 × 244 cm (shelf), 60 × 90 (paintings)
Courtesy of Galerie Urs Meile, Beijing-Lucerne
Courtesy of the artist (28 paintings)
The Utopian Future of Art, Our Reality, 2009
a) A Container of Experience, 2009
Mixed media, 200 × 80 × 60 cm (cabinet)
Courtesy of Sammlung Erlenmeyer-Stiftung, Switzerland
b) The Perfect Sphere, 2009
Mixed-media, 200 × 80 × 60 cm (cabinet)
Courtesy of Galerie Urs Meile, Beijing-Lucerne
Conversations, 2010–2011
C-print, paper, frames, dimensions variable
Courtesy of Galerie Urs Meile, Beijing-Lucerne
Friendship, 2010
a) No. 2, 2010
Wood, paint, stones, plant, terracotta pot, lamp, dimensions variable (wooden table 23.6 × 200 × 110 cm)
Courtesy of Galerie Urs Meile, Beijing-Lucerne
b) No. 4, 2010
Wood, paint, stones, plant, terracotta pot, lamp, dimensions variable (wooden table 15.6 × 200 × 110 cm)
Courtesy of Galerie Urs Meile, Beijing-Lucerne
Liu Ding
Omission, 2009
Stone, book, marker, 34 × 34 × 30 cm
Courtesy of Galerie Urs Meile, Beijing-Lucerne
Rafael Lozano-Hemmer
Please Empty Your Pockets, 2010
Interactive installation (conveyor belt, mac mini computer, HD projectors, HD camera), 273 × 42 × 124 cm (dimensions variable), Copy 3/6, edition 6 + 1 AP
Courtesy of ZKM | Center for Art and Media Karlsruhe
James Luna
The Artifact Piece, 1987/1990
C-print on aluminum Dibond, 180 × 116,5 cm
Courtesy of the artist
Tirzo Martha
The Invasion of The Netherlands supported by Chavez (Chavez had to stop at IKEA in Spain to buy himself a new presidential chair), 2008
Mixed-media installation, dimensions variable
Courtesy of the artist
Gabriele di Matteo
China Made in Italy, 2008
Installation, 34 paintings, dimensions variable
Courtesy of the artist and Federico Luger Gallery
Miao Xiaochun
The Last Judgment in Cyberspace – Where Will I Go?, 2006
3-D computer animation, b/w, sound, 7:15 min
Courtesy of Alexander Ochs Galleries Berlin | Beijing
Nástio Mosquito
Europe, 2010
Video, color, sound, 3:30 min
Courtesy of DZZZZ Artworks
Nástio Mosquito
Africa, 2010
Video, color, sound, 1 min
Courtesy of DZZZZ Artworks
Krisna Murti
The Last Photograph, 2010
Digital print on board, 57 × 90 cm
Courtesy of the artist
Krisna Murti
For Odd For Ever, 2010
Digital print on board, 57 × 90 cm
Courtesy of the artist
Krisna Murti
Street Theater, 2010
Digital print on board, 57 × 90 cm
Courtesy of the artist
Krisna Murti
The Old and the Beauty, 2010
Digital print on board, 57 × 90 cm
Courtesy of the artist
Krisna Murti
Shop Theater # 3, 2010
Digital print on board, 57 × 90 cm
Courtesy of the artist
Jun Nguyen-Hatsushiba
The Ground, the Root and the Air: The Passing of the Bodhi Tree, 2007
1-Kanal-Videoinstallation, HD, 14:30 Min.
Courtesy of the artist and Lehmann Maupin Gallery, New York
Ni Haifeng
Para-Production, 2008
Mixed-media installation, textile shreds, 4–5 sewing machines, dimensions variable
Courtesy of the artist
Mattias Olofsson
Culture Constructing Nature, 2004
3 C-prints, 70 × 100 cm each, framed
Courtesy of the artist
Adrian Paci
Centro di Permanenza Temporanea, 2007
C-print on aluminum Dibond, 98 × 180 cm
Courtesy of Kaufmann Repetto, Milan
Leila Pazooki
Moments of Glory, 2010
Neon tubes, transformer, 15 parts, length between 65 and 200 cm
Courtesy of the artist
Pavel Pepperstein
The Gulf of Mexico oil spill disaster, 2011
Watercolor on paper, 4 drawings, 66 × 101 cm each, framed
Courtesy of Campoli Presti, London/Paris
Pinky Show
Banked Into Submission (The Globalizationist’s Guide to Developing Poverty), 2007
Comic and video, color, sound, 3:14 min
Courtesy of the artists
Pinky Show
Defending Globalization ... a mission for the educated and enlightened, 2007
Comic and video, color, sound, 3:02 min
Courtesy of the artists
Pinky Show
Globalization (and the metaphysics of control in a free market world), 2007
Comic and video, color, sound, 3:02 min
Courtesy of the artists
Tadej Pogačar
MonApoly, A Human Trade Game, 2004
Mixed-media installation, board game (edition: 50), inkjet print on vinyl (249 × 249 cm), 3 MonApoly games
Courtesy of the artist & the P.A.R.A.S.I.T.E. Museum of Contemporary Art
Elodie Pong
After the Empire, 2008
HD video, color, sound, 13:50 min
Courtesy of Freymond-Guth Fine Arts
Stewart Smith, Robert Gerard Pietrusko, Bernd Lintermann
trans_actions: The Accelerated Art World 1989–2011, 2011
Installation for PanoramaScreen
Production: Project GAM, ZKM | Karlsruhe
Project management: Andrea Buddensieg, Bernd Lintermann
Concept: Hans Belting, Andrea Buddensieg, Annie Buenker, Bernd Lintermann, Robert Gerard Pietrusko, Stewart Smith
Visual design and programming: Robert Gerard Pietrusko and Stewart Smith
Panorama Display Software: Bernd Lintermann
Sound: ZKM | Institute for Music und Acoustic, Holger Stenschke, Goetz Dipper, Tobias Scherer, Ludger Brümmer
Scientific research: Annie Buenker
Research assistance: Daria Mille, Sara Giannini
Scientific advisor: Clare McAndrew
Kindly supported by: Eleonora Charans, Chiara di Stefano, Maria Vittoria Martini; Inter-University Doctoral School in History of Arts, Cá Foscari University in cooperation with IUAV University, Venice; Vinicius Spricigo, São Paulo; Berlin Biennale für Zeitgenössische Kunst; KW Institute for Contemporary Art, Berlin; documenta Archiv, Kassel; Arquivo Histórico Wanda Svevo, Bienal de São Paulo, Brasil; Biennale d’art contemporain de Lyon; Fukuoka Triennale, Japan; Fundação Bienal do Mercosul, NDP; Núcleo de Documentação Em Pesquisa, Porto Alegre; Vento Sul, Bienal de Curitiba, Instituto Paranaense de Arte, Curitiba; T.I.C.A.B. – Tirana International Contemporary Art Biannual, Albanien; Frances Mulhall Achilles Library,Whitney Museum of American Art, New York, USA; Regina Vogel, Daros Latinamerica AG, Zürich; Gwangju Biennale Foundation, Gwangju; Yuko Kawakami, Organizing Committee for Yokohama Triennale Office; Istanbul Biennale
Sources: Sammlung von Biennalekatalogen der ZKM_Mediathek; Asia Art Archive, „All You Want To Know About International Art Biennials“, http://www.aaa.org.hk/onlineprojects/bitri/en/index.aspx; Universes-in-Universe http://universes-in-universe.org; IFA Biennalen-Datenbank, http://www.ifa.de/?id=2753; Artnet, http://www.artnet.com/; Artprice, http://artprice.com/; ArtTactic, http://www.arttactic.com/
Literature: Charlotte Bydler, Global Art World Inc. On the Globalization of Contemporary Art, Uppsala, 2004; Elena Filipovic, Marieke van Hal, Solveig Øvstebø (eds.), The Biennial Reader. An Anthology on Large Scale Perrenial Exhibitions of Contemporary Art, Hatje Cantz, Ostfildern, 2010; Noah Horowitz, Art of the Deal. Contemporary Art in a Global Financial Market, Princeton University Press, 2011; Clare McAndrew, Globalization and the Art Market. Emerging Economies and the Art Trade in 2008, The European Fine Art Foundation, Helvoirt, 2008; Iain Robertson, Understanding International Art Markets and Management, Routledge, London/New York, 2005; Sabine Vogel, Biennalen – Kunst im Weltformat, Springer, Wien/New York, 2010
Nusra Latif Qureshi
Did you come here to find history?, 2009
20 digital prints on transparent film, 70 × 870 cm
Courtesy of the artist
Raqs Media Collective
Escapement, 2009
Mixed-media installation, 27 clocks, high gloss aluminum with LED lights, 4 flat screen monitors, video and audio in loop, dimensions variable, Edition of 2
Courtesy of the artists and Frith Street Gallery, London
Araya Rasdjarmrearnsook
Dow Song Duang (The Two Planet Series), 2008
Video, color, sound, 17 min
Courtesy of the artist and 100 Tonson Gallery
Navin Rawanchaikul
SUPER CHINA!, 2009
Acrylic on canvas, 2.7 × 12.6 m
Courtesy of Tang Contemporary Art
Navin Rawanchaikul
Curator Man and Navin, 2002
Painted fiber glass, 60 × 45 × 175 cm (Curator Man) 75 × 70 × 158 cm (Old Navin)
Courtesy of the artist
RYBN.ORG
ADM VIII, 2011
Trading bot performance, panoramic installation
Courtesy of the artists
Realized in cooperation with ZKM | Institute for Visual Media with the support of DICRéAM / French Ministry of Culture and Communication, CNC, CNL
Ho-Yeol Ryu
Flughafen, 2005
Digital print, 100 × 150 cm
Courtesy of the artist
Chéri Samba
L’espoir fait vivre no. 2, 1997
Acrylic, sequines, photographs, glue on canvas, 130 × 194 cm
Courtesy of CAAC – The Pigozzi Collection, Geneva
John Smith
Hotel Diaries, 2001–2007
Video, color, sound, 82 min
Courtesy of Tanya Leighton
Individual titles:
Frozen War, Ireland, October 8th 2001, 11 min
Museum Piece, Germany, October 14th 2004, 12 min
Throwing Stones, Switzerland, November 13th 2004, 11 min
B & B, UK, November 26th 2005, 6 min
Pyramids / Skunk, Netherlands, January 29th 2006 / January 29th 2007, 16 min
Dirty Pictures, Palestine, April 15th / 16th 2007, 14 min
Six Years Later, Ireland, October 20th 2007, 9 min
Sean Snyder
Exhibition, 2008
Film, transferred to DVD, 7 min
Courtesy of the artist and Galerie Chantal Crousel, Paris
Christa Sommerer & Laurent Mignonneau
The Value of Art (Unruhige See), 2010
Media installation, painting, 92 × 85 cm
© 2010, Christa Sommerer & Laurent Mignonneau, courtesy [DAM] Berlin/Cologne
SOSka group
Barter, 2007
3 C-prints, 100 × 150 cm each (on aluminum Dibond), 4 C-prints, 50 × 70 cm each (framed), video, color, sound, 6:50 min
Courtesy of the artists
Michael Stevenson
The Fountain of Prosperity, 2006
Plexiglas, steel, brass, aluminum, rubber, cork, string, concrete, dyed water, pumps, and fluorescent lamps, 2.5 × 1.6 × 1 m
Courtesy of the artist and Colección Patricia Phelps de Cisneros
Hito Steyerl
In Free Fall, 2010
HD video, color, sound, 32 min
Courtesy of the artist
Mladen Stilinović
An artist who cannot speak English is no artist, 1994
Acrylic on artificial silk, 410 × 160 cm
Courtesy of the artist
Jens M. Stober
1378 km, 2010
Computer game, installation for two players
Courtesy of the artist
Jim Supangkat
Kamar Ibu Dan Anak (Bedroom of a Woman and her Child), 1975 (Rekonstruktion 2006, 2011)
Mixed-media installation (wooden furniture), 3 × 3 m (bed 190 × 70 × 75 cm, closet 60 × 40 × 100 cm, chair 50 × 45 × 90 cm, table 100 × 45 × 157 cm, cradle 80 × 40 × 100 cm)
Courtesy of the artist
SUPERFLEX
FREE BEER & COUNTER-GAME STRATEGIES / ART WORLD MACHINE, 2007 (from the series Counter-Game Strategies)
Interactive installation for two or more players, dimensions variable
Courtesy SUPERFLEX
Stephanie Syjuco
The Counterfeit Crochet Project (Critique of a Political Economy), 2008
Mixed-media installation, dimensions variable
Courtesy Stephanie Syjucio und Catherine Clark Gallery, San Francisco
Tsuyoshi Ozawa
Museum of Soy Sauce, 1998–2000
Mixed-media installation, wooden construction with drawings and objects
2.50 × 9.25 × 1.85 m
Courtesy of Collection Lambert en Avignon
The Xijing Men
Welcome to Xijing - Xijing Olympics, 2008
Video, color, sound, 35 min, 2 flags, dimensions variable
Courtesy of the artists
Xu Bing
Telephone, 1996–2006
Translation project, 10 written pages (paper), framed
Individual dimensions: 28 × 43 cm, 33,3 × 21,4 cm, 29,7 × 21 cm, 30,5 × 21,4 cm, 29,7 × 21,5 cm, 29,7 × 21 cm, 31 × 21,7 cm, 28 × 21,7 cm, 30,5 × 22,8 cm, 27,9 × 21,6 cm
Courtesy of Xu Bing Studio
Zhou Tiehai
Press Conference, 1997
Photograph, digital print, 55 × 102 cm
Courtesy of the artist/Shanghart
Zhou Tiehai
Will / We Must, 1996
35 mm film, transferred to DVD, b/w, silent, 9:17 min
Courtesy of the artist/Shanghart
& further works by Anetta Mona Chişa & Lucia Tkáčová, Minerva Cuevas, Ala Ebtekar, Yara El-Sherbini, Brendan Fernandes, Will Kwan, Pooneh Maghazehe, Mirza/Butler, Eko Nugroho, Ruth Sacks and Tintin Wulia, which will be developed during the running time of the exhibition in the context of the associated artist-in-residence program.